BRENNER DIRTY DOG BILL BASS MORETTI NORTH BEACH
MINX BABY FITZ COVER GLASSES

Lens Materials By Brand And The Environmental Protection Given By Each.
Anti-Reflective Coatings.
The Features And Benefits Of Various Lens Colours.
Frame Materials By Brand.
The Need For Environmental Protection And Medical Conditions Arising From Solar Damage.
Sunglass Standards.
Brand Material Specifications.
THE FEATURES AND BENEFITS OF VARIOUS LENS COLOURS.

Apart from the appearance enhancement, i.e. lens and frame colours complementing each other each lens colour brings its own features and benefits to the wearer.

GREY LENSES
The colour is effectively natural. There is no alteration in colour perception. Therefore grey is a very ‘soft’ and natural colour to view through. Grey is practically useful to those individuals who are troubled by high contrast lenses. Very light grey lenses can be simply a ‘fashion’ lens with little glare block. However a dark grey tint can be quite effective. Since there is little or no blue light block grey is not a contrast-enhancing colour.

GREEN LENSES
This standard green lens (code G15) is a very good everyday colour. It combines ‘softness’ of grey with a degree of contrast, as there is some blue light block.

BROWN LENSES
The standard soft brown (code B10) is an excellent lens as it has a good degree of ‘soft’ viewing whilst providing substantial blue light block. This makes a good colour to wear where contrast viewing is required eg. driving/flying/sporting activities.

MIRROR LENSES
Full or partly full (bloom) mirrors provide extra glare block. The lens colour behind the mirror provides nearly all the visual quality.

BLUE LIGHT BLOCKERS
These ‘Elvis’ type lenses which are generally orange brown block out so much blue light that they cause considerable colour distortion. In many countries they have to carry a ‘not suitable for driving’ warning as traffic light colours can be unrecognisable. They may also make for uncomfortable viewing. They may have a place where ultra high contrast is required eg. Mountain climbing.

YELLOW LENSES
These are a ‘fashion’ type lens but also have a place where there are low light conditions (not night driving) are found. These lenses lift ‘brightness’ of perception.

VERMILLION/ORANGE LENSES
These are ideal for skiing as they are ultra high contrast but are generally not suitable for driving. Orange is also used for Target Shooting and Archery.

RED/BLUE/PINK LENSES AND OTHERS OF THIS TYPE
Are generally a high fashion lens. Some are not suitable for driving and have to carry that warning.

COPPER LENSES
Considered the finest lens colour (as found in the Brenner range). This lens provides for soft viewing. Whilst the deep copper colour provides the maximum blue block without colour distortion.
Lens Materials By Brand And The Environmental Protection Given By Each.
Anti-Reflective Coatings.
The Features And Benefits Of Various Lens Colours.
Frame Materials By Brand.
The Need For Environmental Protection And Medical Conditions Arising From Solar Damage.
Sunglass Standards.
Brand Material Specifications.
THE FEATURES AND BENEFITS OF VARIOUS LENS COLOURS.

Apart from the appearance enhancement, i.e. lens and frame colours complementing each other each lens colour brings its own features and benefits to the wearer.

GREY LENSES
The colour is effectively natural. There is no alteration in colour perception. Therefore grey is a very ‘soft’ and natural colour to view through. Grey is practically useful to those individuals who are troubled by high contrast lenses. Very light grey lenses can be simply a ‘fashion’ lens with little glare block. However a dark grey tint can be quite effective. Since there is little or no blue light block grey is not a contrast-enhancing colour.

GREEN LENSES
This standard green lens (code G15) is a very good everyday colour. It combines ‘softness’ of grey with a degree of contrast, as there is some blue light block.

BROWN LENSES
The standard soft brown (code B10) is an excellent lens as it has a good degree of ‘soft’ viewing whilst providing substantial blue light block. This makes a good colour to wear where contrast viewing is required eg. driving/flying/sporting activities.

MIRROR LENSES
Full or partly full (bloom) mirrors provide extra glare block. The lens colour behind the mirror provides nearly all the visual quality.

BLUE LIGHT BLOCKERS
These ‘Elvis’ type lenses which are generally orange brown block out so much blue light that they cause considerable colour distortion. In many countries they have to carry a ‘not suitable for driving’ warning as traffic light colours can be unrecognisable. They may also make for uncomfortable viewing. They may have a place where ultra high contrast is required eg. Mountain climbing.

YELLOW LENSES
These are a ‘fashion’ type lens but also have a place where there are low light conditions (not night driving) are found. These lenses lift ‘brightness’ of perception.

VERMILLION/ORANGE LENSES
These are ideal for skiing as they are ultra high contrast but are generally not suitable for driving. Orange is also used for Target Shooting and Archery.

RED/BLUE/PINK LENSES AND OTHERS OF THIS TYPE
Are generally a high fashion lens. Some are not suitable for driving and have to carry that warning.

COPPER LENSES
Considered the finest lens colour (as found in the Brenner range). This lens provides for soft viewing. Whilst the deep copper colour provides the maximum blue block without colour distortion.
 
 
 
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